Practice

In practice, I do not begin from a predetermined image or concept. I work through sustained contact with materials, surfaces, and bodily rhythms. Pauses, repetition, hesitation, and withdrawal are not treated as errors to correct, but as internal conditions through which the work takes form.

Here, the body is not presented as an image to be depicted or a symbol to be decoded. It functions as the condition through which perception occurs, shaping how the work unfolds, where it lingers, and where it is interrupted. Judgment is not resolved in advance; it is deferred, revised, or temporarily suspended within the ongoing process of making.

My current practice does not seek to repair or explain experience. Instead, I treat art as a processual space capable of holding perception—allowing it to slow down, to be borne, and to be returned to. Within this space, I observe how relations between perception, material, and judgment shift over time, without forcing them into a final, closed conclusion.